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Towards an Anti-Capitalist Music

  • Writer: blackcirclerecords
    blackcirclerecords
  • Jul 22, 2022
  • 2 min read

Updated: Jul 30, 2022


Another photograph of me presenting, this time caught mid-expressive gesture.

When I delivered my talk in Brighton it was not recorded so this is a recording I made using the time honoured 'me and a powerpoint' method. There is an error in this presentation at 17.04 I make an obvious error. I obviously mean that we must NOT centre ourselves or see ourselves as leaders.





References: Bailey, D. (1993) Improvisation: Its Nature and Practice in Music. USA; Da Capo Press.

Bourriaud, N. (2002) Relational Aesthetics. France; Les Presses Du Reel Burnard, P. (2012)

Musical Creatives in Practice. Oxford; Oxford Scholarship Online.

Cixous, H. (1993) Bathsheba or the Interior Bible, in Cixous, H. (1994) Stigmata. Translated from the french by Catherine A. F. McGillivray. London and New York; Routledge Classics.

Cutcher, L. and Achtel, P. (2017) ‘Doing the brand’: Aesthetic Labour as Situated, Relational Performance in Fashion Retail. Work, Employment and Society, 31(4) pp. 675-691

Debord, G. (2017) The Society of the Spectacle. Translated from the french by Donald Nicholson-Smith. USA. Zone Books/ MIT Press.

Fell, S. H. (2015) A More Attractive Way Of Getting Things Done: Some Questions of Power and Control in British Improvised Music. Contemporary Music Review 34(2-3) pp. 187-196

Freire, P. (2017) Pedagogy Of The Oppressed. Translated from the Portagise by Myra Bergman Ramos. Uk: Penguin Modern Classics.

Gonzalez-Torres, F. (1991) Untitled (Portrait of Ross in LA.) Available at: https://publicdelivery.org/felix-gonz... (Accessed 5th of May, 2022)

Horkheimer, M. in Horkheimer, M. and Adorno, T. (2011) Towards a New Manifesto. Translated from the German by R. Livingstone. London and New York; Verso.

Kropotkin, P. (1913) The Conquest Of Bread. UK; Penguin Classics.

MacKinley, E. (2019) Critical Writing for Embodied Approaches: Autoethnography, Feminism and Decoloniality. Cham; Palgrave MacMillan.

Monaco, J. (2010) Memory Work, Autoethnography and the Construction of a Fan-Ethnography. Participations: Journal of Audience and Reception Studies, 7(1) pp. 102-146

Prévost, E. (1990) Meta-Music and the Mutating Monster of Possessive Individualism – A Mundane Struggle. In Prévost, E. (1995) No Sound is Innocent: AMM and the Practice of Self-Invention. Copula.

 
 
 

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